Will the Relationship Survive?: Asian Cinematic Humanism and the Aesthetics of Interdependence in Contemporary Asian Cinema

Authors

  • Thanayod Lopattananont Institute of Asian Studies, Chulalongkorn University
  • Saksit Thaweekul Film and Digital Media, Faculty of Communication Arts, Dhurakij Pundit University
  • Khomson Suebsaeng Humanity and Social Sciences, Communication Arts in Digital Media, St Teresa International University

Keywords:

Asian Cinema, Relational Ethics, Affect, Humanism, Transnational Reception, Soft Power

Abstract

This article proposes Asian Cinematic Humanism as a framework for analyzing how recent Asian films generate cross-cultural resonance through relational ethics and emotional interdependence. Using a qualitative interpretive approach combining comparative film analysis and audience discourse analysis, the study examines How to Make Millions before Grandma Dies, Nezha 2, Demon Slayer: Infinite Castle, and Blood Brothers. The findings suggest that these films foreground relational fidelity, vulnerability, and emotional endurance, thereby recalibrating the meaning of heroism from individual conquest toward the preservation of fragile human bonds. Audience discourse further indicates that viewers frequently prioritize the survival of relationships over spectacle or narrative victory, reflecting a broader desire for connection amidst contemporary social fragmentation. Unlike state-driven soft power centered primarily on national branding, these films appear to operate through everyday humanism, particularly care, reciprocity, and relational responsibility. Here, the term “Asian” refers not to a fixed cultural essence, but to a contingent narrative tendency observable within selected contemporary Asian films. The study therefore suggests that the transnational resonance of these films derives not only from spectacle, but also from their emphasis on emotional interdependence and relational endurance.

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Published

2026-05-29